manoo is back on real tone! nutelekinesie and telekinesie (house mix) are two great deep and hypnotic beat driven tracks that any real house dj will enjoy. support from derrick may, dennis ferrer, mr. v.,deertron, louie vega, jimpster, dj spinna and many more!

kyle geiger has enjoyed a rapid rise up the techno ranks thanks to two very well received releases on adam beyer s world famous drumcode label and a handful of high-profile remixes including reworks for marco bailey s mb elektronics label, la techno dons droid recordings and of course perc trax, where his recent remix of material object won the support of joey beltram, paco osuna, xpansul, laurent garnier, nihad tule, ivan smagghe, michel de hey and many more.

big with luciano, nick curly, ricardo villalobos, 2000 and one, matthias tanzmann... with sebo k & metro cecille signed two great artist from the capital city in germany, berlin. sebo k his already known for his great releases and remixes on mobilee records. now together with his friend and studio partner metro he produced a huge summer bomb. the great original version comes along with the deep and trippy feelin dub edit. reboots awesome twisted fist remix makes the b side and the whole record complete. hope you enjoy.

supported by: raresh, rhadoo, pedro, reboot, robert dietz, markus fix, meat, dorian paic, einzelkind, chris wood mr. dan andrei is back on be_chosen. after a great first release called >just music< now he delivers a great two tracker ep called: >saint omar<. so, please enjoy those great tracks

support by enzo elia, sultan, oliver koletzki, martin eyerer, marc romboyà flash recordings was a result of collaborations between oliver koletzki and florian meindl back in 2006, now after olivers label stil vor talent took off and flooded him with work, florian manages flash on his own. the first musical statement for this new paths florian is going comes in the shape of a single with two perfectly crafted dance-floor weapons: >time to move< is a disco tech- house tool built with a solid and mechanic meindl beat&bass construction, which ends up in a superlong break before it gets hit back by the beat.

second installment by berlin based mri who successfully cultivated since 2002 some serious dance terrains. this release carries two outstanding and rare remixes as well as one original track. by taking techno deep into the mine shafts of dub, chain reactions / basic channel artist fluxion created an eerie, full-circle remix of the latter. you can hear that a man is at work who knows his gear well and is good in what he is doing. the production is brilliant, the selection of sounds superb, set-ups are constructed with caution, superimpositions are finely layered, propagations and ripenings are get going in a well-considered manner. dreadnaught bassline, steady hi-hats and lo-fi clips – a must for basic channel fans ! on the flip, young talented producer u.e.s. delivers the meanest blend of modern techno style and reduced shaped subs that just creams it on every system. and as well as both guys together does mri with original track rough. the „el castillo“ ep separates the styles over two sides and with „rough“ functioning as a wicked minimal techno track with shifted groove hinging on a grinding bassline - drives the track into abyssal techno territory. fans of basic channel and modern electronic music enthusiasts will be all over this beauty.

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

ultraphatz hypnotic oriental / tribalistic techhouse / techno madness!!btw, track two >> i think, today, winnetou would be a dj

vertex is an exploration in two parts. the a sideÆs vertex and the locus of points explore the trackier side of tejadaÆs work meant mostly for vinyl play. both tracks make good use of strong wavetable chorded sounds, which are modulated throughout. the rhythms of the chords make up the identity of the track with elements coming in and out. vertex showcases a more layered approach to take the track from a percussive to a smooth feel. the locus of points follows more of a straight up techno approach sounding simple and effective. the b-side explores the more melodic and arrangement based side of tejadaÆs work. liquid mirror is a track rich in layers. 3 modular synth layers provide the initial modulating melodic ground work which is then complimented by lush tejada keyboard work bringing the song to itÆs apex and then reducing it back to itÆs start all while backed by tejadaÆs powerful drum work. p.l.l. (which stands for phase locked loop, a process explored here) continues this theme in a less obvious way. modular synths and drum tracks start things off while midway a modulating melodic phrase is introduced playing back a bit differently every time. four songs in all showcasing tejadaÆs simple and complex approach to dance music.

this will be a big one in both techno and disco circles... do not sleep!
subdance is proud to announce their debut ep by the italian techno music legend lory d! last year we already heard some brand new things from lory, when, after 6 years without any new releases, he published two new twelve inches on the scottish label wireblock. æplisskenÆ on subdance is another stroke of genius from the roman as he comes up with two more classic examples of his unmistakable trademark sound, sombre and enigmatic, disturbing and fascinating, euphoric and energetic, powerful and direct! the a sideÆs æbank robberyÆ is a fresh interpretation of the track of the same name from john carpenter s æescape from new yorkÆ soundtrack. lory musically transports carpenterÆs apocalyptic visions of the last days into the new millennium. the brooding bass line and haunting atmospheres push the listener to an otherworldly dimension. this is loryÆs own masterpieceà lory d in technicolor and cinemascope! the b sideÆs ædisso bassÆ aims for the dance floors immediately. a perfect techno-electro track where exploding synthesizer cascades meet fragile melodies and archetypal lory d bass lines, each with a mind of their own. redshape, another techno music legend, is responsible for the mastering of both tracks. amazing stuff!

after only two releases on 7even recordings f has already made huge waves on the scene with his unique sculpted approach to dubstep and techno.
now he is back with a cut which offers a glimpse at a different side to his productions, dub techno styled a-side >epilogue< comes correct, displaying what is clearly a long time love and appreciation of this music. clean production and atmospheric textures create the backdrop for a distant beat which drills into the psyche, making for a deep 4/4 journey trawling through the late night in a smoky haze.
on the b-side, ramadanman weighs in with a rework which absolutely slays. you could call it garage, you could call it dub-tech, but this track is so fresh, we re sure it ll have the funky house heads on their hands and knees as much as the dubstep crowd, dark as hell too - a total crossover. shit is tight, yo!
already supported by mary anne hobbs and rob booth amongst others, this release also featured in the 7even mix for the experimental show on bbc radio one in january 2009.

te amo is a forgotten gem originally released on the volumex label back in 1993 and then licensed to the legendary vc records in the u.k. with mixes from john digweed. this was a huge anthem back in the early 90s full of balearic passion and happiness which is often missing in todayÆs music. but lets not get carried away in the memories of the past and check out these brand new mixes. in fact, the record makes a fine return to todays scene thanks to brilliant interpretations from two of our favourite djs/producers out there: hotly tipped paolo mojo and tapesh.to round off one pretty nifty package, the original caliente mix is enclosed also. and this still sounds as relevant today as it did almost two decades ago. a blast from the past indeed! very similar to releases on record labels like cr2, defected and toolroom.

d.a.v.e the drummer s mighty hydraulix label licks into the new year with 3 tracks from croatian rising techno stars miche and mirzinho. relatively new on the scene these two brothers have already rocked out tough and funky techno tracks on much loved labels adult, ying yang and pornographic. if you like us you are sick of hearing badly produced techno tracks with over the top effects and nonsensical breakdonws. and you like to go nuts on the dancefloor instead of standing in the corner scratching your chin. then this is for you!

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
first up to rework oasi is great stuff s ramon tapia. without doubt one of the names of 2009, tapia delivers a typically dramatic mix where sparse trial rhythms meet pulsing, offkilter melodies. hot new production duo hauswerks and gaz james keep up the pace with a more funked up version centered around a wicked rolling groove while homegrown neapolitan talent abnormal boyz offer up a stomping rework that twists things out with deep undulating bass.

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
the mighty umek gets first crack at c est la vie, turning in a typically straight to the point remake, dropping the distinctive percussive hook over a jackhammer groove. ortin cam (drumcode) adopts a more minimal approach with firing snare rolls and a distorted, buzzing cutup loop of the original hook. rounding out the first part of this package is xpansul (ovum, soma) with a dramatic, stringladen take that bounces along on a tough but funky bassline.

we are very proud to present a brand new record by mr kerri chandler. the computer games story continues on deeply rooted house with expansion pack o.4 : two dope tracks mixing raw house sounds and computer games inspired sounds. enjoy ! support from ben klock, laurent garnier, josh wink, heiko laux, stacey pullen, radio slave, phonique, ame, 2000 and one, dj 3000, shinedoe, argy, electric indigo, ian pooley, jon cutler, raresh & more !

ron trent presents the master plan >obama tribute<, a musical tribute to the election of barack obama. two versions of >melting pot< (one being the instrumental) combine layered speech excerpts over a dreamy, conga driven deep house beat w/an uplifting piano solo towards the end.

l-vis 1990 is quickly solidifying himself as a bass-prodigy. you re forgiven if you re unfamiliar with the name but pay attention - this 25 year old from brighton has stormed on the scene and is making some of the most singular dance music we ve heard of late - this stuff is truly standout. with the ever-building epic come together and the floating then undeniably face smashing united groove , we re hearing a heavy sound with a new and refreshing take on structure and style. he has upcoming releases on kitsune & dim mak as well, plus a busy club schedule with his night slugs monthly in london, and one offs at the biggest european clubs (fabric london, social club paris, scala berlin, etc). oh and did we mention that with all that he still finds the time to make videos for the likes of dance area and riton!? definitely one to keep your eye on. in the meantime, these two tracks form a serious weapon. amazing new mad decent record that s making big waves worldwide. touches of grime, house, uk funky and your classic mad decent styles. big.

yet another live/production outfit has sprouted from the fertile techno soil of amsterdam. its name - gimikk - echoes the unpretentious attitudes and sounds of our flourishing underground scene. it was the open and co-operative spirit of our new school techno generation that brought daniel sanchez and eelco augustijn aka. e-contact together. after two well-received eps and a lot of hard work their debute album is a fact. we present to you untitled concept, a killer collection of tracks set to shake up dancefloors around the globe.

passionate, uncompromising, resolutely underground. a few words to describe the work and career to date of swedens finest real techno exponent, grovskopa. masterminding two high-calibre labels with frequent appearances on other imprints of repute, whilst giving a voice to the techno community through the nursery forum, he is clearly one of the harder working producers around. >make tomorrow< is the next chapter in his tale for the label, following the hotly anticipated and well received prologue of sect 2. >atopic< creates dense and intimate atmospheres, overlaid with a reflective, introspective key structure, culminating in the most poignant & moving of melodic sequences. >skinstrumental< bridges the void between tracks, speaks of the space between stars as our minds turn to thoughts of galaxies and nebulae, the spirit of detroit radiating like a supernova.>the fierce hug< completes the aural triptych, by contrast offering a more upbeat, playful yet no less desirable option for the more creatively diverse techno mix

the first of the rising music summer series 2009 comes from chris lake & lys. lake & lys >violins< is a dark and uplifting slice of house. a hypnotic violin loop over throbbing bass and snappy tech rhythms. new kids on the block sour grapes provide two astonishing remixes to complete the package.

hot on the heels of phonica records inaugural release comes a new 12inch on the label from jc freaks, with a very special remix from the revenge. jc freaks is the duo of anthea nzekwu and werner niedermeier. like hector, who helmed phonica 001 with ben bryant, anthea is phonica through-and-through, working behind the counter at the london store. an award-winning dj, she produces with werner as jc freaks and has already released two acclaimed 12inchs on mojuba offshoot wandering. dub praise is a sultry, funked-up assault on the dancefloor, incredibly direct and immediate but full of subtle modulations and dub chords. theres a jacking, almost boompty feel to the track, but the blissed-out vocal snippets, rich synth-tones and burbling acid licks give it a timeless, rolling quality beyond that. this is seriously addictive stuff. on the flip theres a remix from the revenge, aka graeme clark. phonica have been huge fans of clarks releases on labels like jiscomusic and instruments of rapture over the years, both solo and as part of 6th borough project. here he reimagines dub praise as a deep disco track which is all spaced-out percussion, breezy keys and low-slung bass but has real character and intensity to it. so it is that the eponymous label run out of londons best electronic music store continues its march on the worlds dancefloors and dj-boxes - with a 12 inch of hypnotic house class that fizzes with ideas and, more than anything, groove

played by brothers vibe , gerd janson (running back)... introducing two brand new lindstrom tracks: the magnificent and disturbing the perfect symmetry the leftover ep came about when prins thomas, todd terje and smalltown supersound were let into the lindstrom vaults so to speak. lindstrom makes a lot of music obviously (he has one album out this year already with prins thomas and another one with christabelle coming in october), and these were two tracks just laying around that he hadnt thought about releasing. when both prins thomas, todd terje and his label insisted that the tracks had to be released, he decided it was maybe a good idea to make another 12inch since it had actually been a while since the last one. and we are all happy by that. these are some of his finest moments. his signature melodies and sound are all here ready set dancefloors on fire. hope you like them as much as we do. enjoy!

phat alternative rock two track 7 inch... incl free mp3 coupon

played by mathias kaden, sebo k, tobi neumann, karotte....there is a date this year in autumn you should keep in mind: the release of marcel knopfs first album on mos ferry. being a dj marcel knopf is used to fathom genre boundaries and now and then he dives into dubstep, electronica and realms of pop. with the single dusty dance you get a foretaste of the upcoming congenial longplayer. in its own way, his single enables an acoustic addiction of a thrilling style mix. these two tracks move in between smart techno and grooving illustrious house and points out, that knopf doesnt want to be bound to one musical direction. the title track and a-side of the single >dusty dance< is one of the floor fillers of his album. get ready for an enthralling groove, a monster break and a hook, where any bias against trumpets in the club is blown away. on the b-side youll find the oldschool frickling house track >rec-chord<, which reflects knopfs addiction for the beloved vinyl format. go out and get yourself a physical copy, to hear this nice and comfortable sizzling noise. its the best way to get a charming club feeling. and always remember: who buys first, may listen longer!

third release on important corestyle and and after the great first two releases the label now proudly presents the first release of stormtrooper on this well respected german label! this busy man needs no further introduction, his mental productions on top labels like industrial strength, rebel scum, crowbar and many more, make him one of the most wanted industrial hardcore/hard techno producers worldwide. stormtrooper starts this 12inch of with rampage, a basic yet deadly effective hard pushing track full of massive percussion parts and grindin basskicks... this top track gets also a great kpx remix, this kid is known for the first important corestyle release and proves to be one of the rising stars in hardcore land with this excellent remix! the flip side offers breathing blood, a kickin track which is more experimental than rampage, check the cool breakdown on this one! last track is fuck everything, a dirty piece of industrial work which is takin your speakers to the maximum...excellent release by this mastermind, do not miss out!!

with electric rescue, the french dj d jedi, who is known all over paris, becomes a part of the cocoon family. he is connected with the development of techno in france already since the beginning of the nineties. despite being busy as a producer for commercials and soundtracks, he always finds some time to release exciting electronic music on imprints such as f comm, communique, elp media and paul nazcas label scandium, where he has released his debut album >el.ue< three years ago. with the two tracks on >the darkest star<, electric rescue succeeds in the daring feat of transforming the energy of rave tracks from the early nineties into the present time without producing an anachronistic impression. besides a tectonically shaking bass drum, the title track relies on the power of sound, a superlative of raw club energy with a twist of irony, which can set a surprising climax with a steadily rising noise level, even after almost ten minutes. >the devils dance< is grafting a comparably brute state-of-emergency techno in a somehow restrained way, rhythm-wise, but is no less effective with its distinctive acid sound effects. and who said that modern techno cant use the tradition of belgian rave-signal-floor-burners?

christopher spero a.k.a glimpse has really made a name for himself the way that producers and djs in this day and age should: by making tasteful music of the highest caliber, and putting substance over style. these two tracks co-produced with frequent collaborator and head of the hypercolour label, alex jones, put that said taste on display in a refined and elegant form of house music.true friends pumps right from the beginning with a chunky rolling kick drum only made denser by the thick brushing percussion that surrounds it. before the beats become to overwhelming a soothing male vocals drifts in reminding how hard it is these days to find a true friend. a stark tune of epic proportions. returning with a similar pressure from drum programming aesthetic, which basically means hefty percussion layered over warm and tumbling drums. æcambria sets itself apart from the a-side with a more open-air vibe. light piano notes float along side softly played wind instruments, creating a surreal dreamlike audio experience that still has the tools to do damage on the dance floor. glimpse and alex jones have really put some true style, grace and class into their music. masters at creating a distinctive sound that exist in the space where warm and lush tones meet musicality and stimulation. a summer record with good vibes scrawled all over it.

as the lead front room representative daniel steinberg has been one of the main flavours on the label, with this being his fourth release for front room recordings. daniels records frequently land in the crates of artists such as ricardo villalobos, luciano, claude vonstroke, richie hawtin and jesse rose to name a few. his previous releases on front room like cobra limbos, uptown and keep on movin still resonate around the dance floors of the world, proving time and time again that daniels sound continues to inspire djs and club goers alike.as well as having great success on front room recordings daniel also regularly airs his talents on labels such as style rockets, leftroom and grandpetrol. daniel can also be regularly found trotting the globe to showcase his skills at some of the finest clubs throughout the world. daniel steinberg is once again stepping up to the plate with two killer tracks showcasing his own unique take on house that will be sure to keep dance floors pulsing and hands in the air through summer, winter and beyond.

nice price deal !!! mr tim is back with some floor-friendly acid tracks (he surely hates it when we say its late 80 s chicago inspired.... but it sounds like the haydays of rawer jacking chicago tracks such as made by mike dearborn / armando). two dope tracks on a single-sided limited 12 with track one being the best like a tim track in a while: a pure, simple and a no-nonsens jack track. track 2 is chicago to the max. it maybe doesn t sound very like a tim... but it s 9 minutes of basic, pure and intense dancemusic by rotterdams finest. only 300 copies with handsigned labelart and no digital sales! so don t sleep on this one...

after debuting with us last year with his >finally e.p<, canadian wunderkid glenn morrison returns with remixes of one of the tracks from that release in the form of the >orange glow ep<. as far as remix packages goes we happen to think this is a very special one, as we have been able to get the talents of not one, but two heavyweight producers to put their own touches on glenns original. robert babicz and charlie may are both on remix duty here and boy have they done us and themselves proud

from the empire of rising sun the following release of troubled kids arrives. this time with takayuki higo in charge. a great japanese producer who is back to share his musical talent again. and troubled kids is the better place for that. the ep contains remixes from pawas and alessandro crimi. fourth release from troubled kids records. and this time the kids feels generous so decided to make two exclusives tracks only for digital. with remixes from mididropmusic and jesus gonsev. the summer is comming and the troubled kids strikes again! keep in touch! supported by: laurent garnier, lars behrenroth, rocco, till von sein, nacho marco, boris hotton , hernan cattaneo, g family, nils nurnberg, daniel kyo, da funk, brendon moeller and many more.

gogo music presents a superb soulful tune by roberto de carlo feat. joshua with a massive remix package including ralf gum & jay-j mixes. they follow up their two highly successful singles soulful things and magic star with their fresh outing never forget. support from dj dealer, dj rork, robert owens, charles spencer, groove junkies, halo, master kev, alfred azzetto, dj pope, the layaboutsà

besides the sublime original version, the >bloodstream ep< also features three exclusive new mixes, each teasing out the songs grace and power in vivid and unexpected ways. the berlin-based producer and remixer henrik schwarz, one of germanys most respected djs, brings his trademark love of jazz and deep house to two separate versions.
schwarz s club mix re-engineers the track as a sleek dance tune, speeding up chris vocal into a restless, nervy, emotionally naked torch song. his dub version, meanwhile, builds into a hypnotic instrumental collage of bubbling beats, twinkling pianos and elastic basslines. at over seven minutes long, not a second is wasted.
by contrast, the chic parisian re-edit maestro pilooski strips the track down into a cubist collage of rhythmic throbs and sparkles, with a staccato piano melody pulsing through it like a heartbeat. it s a playful and vibrant fusion, where soul-baring yorkshire poetry meets sleek french disco chic.

baltimore trio double dagger creates a cacophonous wall of sound. their dynamic combination of energy, melody, angst, and playfulness is captured exquisitely on their third full length thrill jockey debut. lp is limited to 1.000 copies and includes free download coupon. double dagger has performed with no age, lightning bolt, pissed jeans, pere ubu, and the buzzcocks, and they ve toured extensively with dan deacon and the deathset.

crowbar is back on track with two releases in a row. first up is the svetec release followed shortly by this concrete djz gem. that amok is not only about those ultrahard releases is proofed by this one. a techno release in the traditional style, that will appeal to both hard techno and straight techno lovers. well done!

big with: luciano, mandy, d julz, daniel mehlhart, mihalis safras, davide squillache, xpansul, ferenc, andrew grant, angel molina, dave tarrida, pablo bolivar, chris fortier and many moreà

the 9th release on domestic violence comes from sveteq and septromatiq. these two are creating a big stir in the scene with some extremely fresh releases on labels like mental torments and reconstruction, just to name a frew. on domestic violence they present their killer style in the form of calm storm ep, four absolute killer tracks full of energy and heavy bass!

alcohol, drugs, overdrive, noise, neon lights, party people, revolution, rave is king ! . this could be mr fukkk offf moto, this crazy german guy, signed on coco machete for his album, gave us two banging electro-house party anthems bloodfuck & i give you bass. bastian heerhorst, better known as fukkk offf, from hamburg germany, had nearly every blog on his shit last year, and you know why ? just because hes not kidding, this is just dancefloor stuff, nothing else, but surely it works

big with: cassy, bo irion, dan curtain, jorge savoretti, electric indigo, mateo murphy, noah pred, pheek, patrick bateman, tomboy, the youngsters, ion ludwig,.. the result is a co-production between catenaccios head-honcho benjamin fehr and falko brocksieper (sub static, tuningspork, leena). inspired to create a laid-back environment between improvisation and restriction, the two are exploring ways to join their different views on a shared passion for deep, dark, organic and abstract techno. the result is >niagara< and >give up< - the first two pieces from this ongoing production cycle. both tracks are developing a long vibrant flow of eclectic structures and agile sequencing of field recordings and analog sound aesthetics

incl markus fix rmx !! big with johnny d, gregor tresher, raresh and many others !! gedankensport introduces martin reisinger aka matiss with his very first release. the in passau born artist played piano and drums in his early and later youth and explored electronic music in the 90ies, when the attention on the movement exploded. furthermore he operated on the housesyndicate platform and organized events throughout germany and its native languaged neighbours for what he engaged more than 300 class-a-artists like hawtin, väth and other. now he comes around on gedankensport with two fresh tracks and one remix by markus fix from frankfurt!.

after setting 2007 alight with his award winning debut solo album a mind of its own karizma returns with the highly anticipated sequel: a mind of its own- version 2.0 the upgrade ! this is the first single to be taken from the album, and contains two of the hottest club bangers from the new selection. necessary madness has karizmas trademark power drum programming and raw bassline as the track builds from sparse elements into a killer throbbing groove that will destroy any dancefloor. on the flip-side, drumz nightmare has karizma once again pushing the boundaries of dance music with an atmospheric, electronic, percussive soundscape, using sparse elements to create an eerie mood while providing reasons to move your body. on a mind of its own v2.0 the upgrade karizma has raised the bar once again as he continues to find new ways to rock clubs, cars and headphones worldwide. this 12 inch reminds us why karizma is considered one of the most creative and influential producers currently working in dance music.

keep me in my plane part 2 is the second part of the succesful single including remixes by reverso 68, the kdms (kathy diamond & maximilian skiba), dj kozes hudson river dub and a stunning modernaire rework. a must have! the danish discorockers whomadewho released their second album in march. and who would ever have thought this: now, one month later, they are everywhere: you can see them on covers of music magazines in germany, france and uk. their concerts are sold out and the blogs freak out about the new singles and weird videos. after the first single the plot now here comes the follow up keep me in my plane divided in two parts!

two excellent tracks of bassy, ballsy, bigroom tech-house... a deal was made via video-sauna and all-of-a-sudden turbo 066 be done... enjoy!

big with richie hawtin, tiefschwarz, loco dice, dubfire, jeff k ... new sub-division lessizmore limited is the occasion for us to produce new artists and to release their work in a beautiful colored 10 inch, 500 copy limited pressing for audiophiles. the first release is focused on two new hopes of 2009: jin choi and dop. jin choi has released many impressive eps on ware, archipel and roman photo. his tracks are subtle, full of details, he looks for instruments and singings you would never expect in a usual dance tune. carnivores is a long and melancholic trip which cannot let you unmoved. french trio dop does a complete rework of the track, adding their own voices, some punchy percussions and a pinch of sex appeal. they keep the original vocals and instruments but use it in such a different way that makes it look funnier.

supported by: raresh, phil weeks , alex neri , ilario alicante, dave ellesmere, dandy jack, sonja moonear , ralf, krakatoa!! this is a recently born and emergent deep house label, produced by lorenzo chiabotti(iena saw), that is a perfect mix of groove, rhythmic, a powerfull bass line and a definitely catchy chord. the e.p. contains also a >ika red rice< remix, realized by ilario alicante, young talented dj from tuscany, resident at tenax club. he made different realeses for most of the best labels like cecille rec. second track is another >ika red rice< remix, made by federico grazini, famous italian dj-producer resident at tenax club too. the label is composed of two members, paolo rossano aka pato donald, dj resident at doctor sax, the famous turin after-party, and lorenzo chiabotti, producer and live performer of the project called iena saw (vinyl club/ibiza)

played by sis !!! first release on tomasino music. tomasino is getting ready for the summer with these two massive floorfillers. uplifting tech-house with an amazing melody on the a-side and a touch of charleston on the b-side.

alex neri and federico grazzini join forces to remix the single >lemonade< from planet funk and deliver a killer tune in two versions : vocal and instrumental ! already licensed to pete tong for his eden compilation and for the upcomin pacha one !

following the success of his last lp, chronicles of never, and his recent track jedwab on nick curlys 8bit imprint, marcin czubala makes his return to mobilee with mezcalinna. continuing his string of exceptional releases bearing his unmistakable signature marksùslinky, undulating grooves full of bizarre twists and turns that ceaselessly continue to surprise the listenerùmezcalinna is comprised of two tracks whose continuities only serve to highlight the ways in which they differentiate themselves from and act as complements to one another. day 1 begins with a heavy bass line echoed by a stuttering percussive beat that guides the rhythm until the vocal chants and kick drum drop. accented by occasional drum fills and cymbal crashes, the track reaches its climax with the entrance of a lone piano chord that, despite its initially alienating presence, ultimately serves as a means of melding and unifying the tracks constituent components. if day 1 is an early morning track, day 2 provides its counterpart as a nighttime dance floor stormer with a darker sound and haunting, reverb-laced vocals. also beginning with a splattering of percussion but taking a decidedly somber turn with dissonant synthesizer stabs and an eerie vocal loop that shadows the track from beginning to end, rhythm and creative use of contorted vocals lead the way as this track zigzags in a way that only marcin czubala can make music do